Daniel Azulay - A Porta (The Door) 2012

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Exhibitions:

1968 – Montreal Art Plaza Exhibition - Canada
1969 – Salon International Pavillion du Brésil, Brussels - Belgium
1970 – Salão da Bússola - Museu de Arte Moderna - Rio de Janeiro
1974 – “Jerusalém” - Galeria de Arte Ipanema - Rio de Janeiro
1974 – Gabinete de Artes Gráficas de Raquel Arnaud e Mônica Filgueiras - São Paulo
1989 – Hotel Rio-Palace – Special Exhibition for HRH Princess Anne – Rio de Janeiro
1993 – “Pessoas” – GB Arte de Márcia Barrozo do Amaral – Rio de Janeiro
1994 – “Pinturas” Galeria de Arte Ipanema Rio de Janeiro
2001 – Galeria de Arte Ipanema RJ
2004 – “Um Olhar sobre 2004” - Fashion Mall – Rio de Janeiro
2006 – “A Porta” – Colecionador e Wall Street Escritório de Arte – Rio de Janeiro
2007 – “The Beginning of Life” – Exhibition in Sweden (View Photos)
2007 – “The Door” – Exhibition in Finland (View Photos) (View Presentation)
2009 – “The Door” – Exhibition in Paris (View Presentation )
2009 – “The Door” – Exhibition in Portugal (View Photos) (Press Release)
2010 – “The Door” – Exhibition in Finland (View Photos) (View Presentation)
2010 – New York Art Expo – Brazilian Artists - Group Show (View Photos)
2011 – MIAC III – Miami - Florida (View Presentation )

CADERNO B - Jornal do Brasil, Rio de Janeiro, Sunday, December 13, 2009

English Version | Versão em Português


DANIEL AZULAY was born in Rio de Janeiro in 1947, and graduated in Law while he drew comics for newspapers and magazines. Self-taught, in 1970 he exhibited his first graphic and visual works in acrylic kaleidoscopes at the Modern Art Museum, in his hometown. In 1973, he traveled to Israel and recorded his impressions in drawings in the album “Jerusalem”, introduced at the Ipanema Art Gallery in Rio and the Gabinete de Artes Gráficas in São Paulo.

The poet Carlos Drummond  de Andrade, in a chronicle for Jornal do Brasil newspaper in March, 1974 wrote (…) “An artist above all, and  then a very keen observer, Daniel captures the essence of the human figure, of the posture of the physical and sentimental identity of the being, and he does it with the philosophical grace of someone who knows how to contemplate the spectacle of the world, between smiling and being moved.”

In 1975, competing against more than seventy countries, he won the Grand Prize of International Exhibition of Humor Drawings in Athens, held to celebrate the return of democracy to Greece. To excite children´s imagination and creativity, Azulay influenced an entire generation, giving life to his cartoon characters, designing and performing art on television for ten years on national broadcasting network.

The artist was also invited in 1979 by the American government to represent Brazil at the Internationl Symposium of Books of Broadcasting for Children/USA, and in 1989 the British Consulate organized a retrospective with an exhibition of his works at the Hotel RioPalace, in Rio de Janeiro, with the presence of Princess Anne of England.

At the age of 64, Azulay lives in Rio de Janeiro and travels throughout the world holding contemporary art exhibitions, presentations and workshops of art education in the United States, France, Israel, Finland,  Sweden and Portugal.  In 2007, his work as a volunteer and founder of the Social Project “Grow With Art” for children and young people from underprivileged communities was awarded and recognized by the ICAF – International Child Art Foundation in Washington, DC.


ABOUT THE ARTIST

DANIEL AZULAY is an artist and educator with vast and diversified experience, which includes working with children and teenagers. He has won many awards in Brazil and abroad, and his art is held by several major private collections and large corporations. At the age of 64, he travels the world to exhibit his work, deliver lectures and lead workshops on art, education and social responsibility of his awarded “Grow With Art Project”.


ABOUT HIS ARTWORK

Anyone familiar with Daniel Azulay’s paintings, can tell that he elevates cartoons, graffiti, toy art figures and corporate logos by positioning them in the realm of fine art.

Azulay goes further recasting his contemporary art imagery crossing the limits between high and low culture, good or bad taste approaching the condition of purely kitsch-optical-art.

In his artistic process, Azulay juxtaposes rich details of his recognizable world of stuffed animals, pinups, babyface dolls, spaceships and robots playfully exploring the relationship between reality and imagination. This juxtaposition serves to connect the old with the new, creating an alternative universe where nothing is realistic and yet everything is familiar. Azulay’s love of bicycles is a recurring source of inspiration for his painting and sculpture.


ARTIST’S STATEMENT

“When I imagine a bike, I don´t see a vehicle or means of transportation. I begin by imagining the shadow it casts. A distorted reflection in search of balance. My bike is a pair of wings, a whirlwind, a giant Ferris wheel, a carousel – the name doesn’t matter: we are all in orbit dancing around the light.”


Besides his work as a contemporary artist, in 2004 Daniel Azulay created the social project Grow with Art to improve artistic and inspiring ideas for children and adults in poor communitys all over Brazil. Since the beginning, the Grow with Art project has provided art education for more than 12.000 people, many of whom are children, with the bare essentials.

Daniel Azulay was distinguished with the prize “Volunteer Artist of the Year”, by Kannitz Institute nominated by the S.O.S Children’s Village/South America. He also contributed for the social campaign to UNICEF, Encouragement to Extinguish Starving (IBASE), Mc Donald’s House, INCA (National Cancer Institute), São Martinho Foundation and Pediatrics Brazilian Society.












Colecionador and Wall Street Escritório de Arte Galleries
invite you to the Opening of the Exhibit of Paintings

A PORTA (The Door)

Daniel Azulay

Daniel Azulay’s experience, through the dreamlike environment of TV and vivid contact with the universe of childhood marks his eleventh exhibit. Using pop art traits, Daniel breaks with contemporary arts and surprises by consolidating his artistic language. Azulay reveals, through the maturation of his ideas, that his work is for all ages.

The result of this eight-month work, synthesizing his main influences: the childhood, sport and nature which followed him through his entire life, presents a Daniel in love with motion and movement.

In total there are 30 artworks that make up the collection of paintings on canvas which synthesize Daniel’s artistic personality. To him nature is a permanent inspiration because of the tropical exuberance of Brazil. As a fan and participant, the artist has always participated in sports. The numerous endeavors accomplished as a contemporary artist and educator have only contributed to enrich the creative form of his work as a whole, in which we can observe various childhood symbols.

The works Natação (Swimming) and TropiCatupiry are among the most striking of the exhibition. The first one shows lines that mix, displaying calligraphy and elements of the painter’s visual alphabet. The work is marked by motion, capturing the instant of body movement, which Daniel considers a miraculous moment.

The second painting, influenced by English pop art, results in the reprocessing of an iconic image of popular consumption, the Catupiry cheese label. The profile of the work identifies with the English model, by presenting a certain evasive romanticism, and by not overusing dramatic resources and shock , more common in American pop. The challenge is shown on the canvas in an unexpected way, composed of two modules that complete each other, resulting in a “sculpted” 2D image.




TropiCatupiry
acrylic on two canvas
102 x 130 cm and 97 x 78,5 cm (each)


Swimmer
acrylic on canvas
100 x 86 cm